The cycle of seminars (six 4-hour meetings) focuses on the importance of corporeity in the design of communicative artifacts. Posture, prossemic, look, tone of voice, etc. become expressive levers that the communication designer must know how to manage with skills almost like acting and directing. Added to this there are scenographic, sound and clothing contexts that create the narrative world in which everybody acts.In the present situation this seems so important, because something which we could define as a "online corporeity" is being affirmed, an apparent antinomy to indicate the problem of building a "body narrative and not only" in front of a screen, and this with almost television techniques.Shortly how to act, how to pose, how to create an imaginary and virtual space around itself during the production of a video (fiction but not only..) and online relationships that go beyond the simple "natural" (that is not so natural) presentaiton or a rigid movement in a too domestic situations or maybe improbable backgrounds with artificial green screen.Since a part of all of this has moved online, it seems even more important beacause it will probably remain there and it will be required to manage the new form of communication no longer as an impromptu remedy to an exceptional situation but as usual practice because more comfortable and rapid than other relationship types.An initial series of examples and reflections on the subject could be the beginning of an exploratory and experimental path made of postural analysis, the construction of scenography, hypotheses of managment of precarious connections and stumbling blocks, respect of technical times and finally role-playing games for participants.

dal March 2021 a April 2021